With TUR-NA-TUR, the gaze turns from city to forest—Østmarka—where walking becomes both art and meditation. Soil, berries, fungi, charcoal and decaying wood are gathered and transformed into pigments and tools; nature becomes medium as well as muse.

Works unfold on tracing paper in transparent layers, each tied to a specific walk and moment. Small modules (12 × 12 cm) form visual diaries, shown alone or assembled into larger narratives.